Dior illustrates the constant back-and-forth between heritage and modernity, up to the return in 2025 of the lettering chosen by Christian Dior himself in 1946.

Dior logo in white on black

The typefaces

In 1946, Christian Dior adopted a lettering inspired by Cochin, a typeface named after the 18th-century French engraver Charles-Nicolas Cochin. Under the artistic direction of Maria Grazia Chiuri, from 2016 to 2025, the house used a serif lettering in capitals. In 2025, Jonathan Anderson returned to Cochin, with a capital D followed by lowercase letters, redrawn from wooden blocks found in the archives.

The system

The typography fits into a highly codified world: dove grey, the CD monogram and the editorial layouts specific to fashion. The new logotype appeared quietly on the labels of the spring-summer 2026 menswear collection before being announced publicly.

Why it works

Cochin evokes 18th-century French elegance, engraving and finesse of line. Moving from capitals to lowercase makes the signature more intimate, closer to handwriting. Drawing on the archives gives the change a legitimacy that a simple modernisation would not have.

What a brand can learn from it

A brand's archives are a valuable creative resource. A change of typography is a strong signal of a new direction. The choice between capitals and lowercase profoundly changes the tone of a signature.

Read also: Uppercase, Lowercase, Serif, Contrast

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